January Series Reflections: John Varineau

NOTE: The content of this post was originally authored for a class I'm taking this Interim on Calvin College's January Series. This content was written to be a short, one page reflection prompted by a speaker's presentation. Therefore, this post does not have much context and has not been edited (or perhaps through out) very well. It is essentially just some of my very rough, incoherent thoughts that will not be backed or exegeted well due to the nature of the original assignment.

John Varineau defined music as “the organization of sound and time to move the human soul.” His definition varies from the standard definition due to his addition of the “to move the human soul” bit. I think this addition is a very appropriate one as it makes an understated truth about music much more obvious. What piece of music hasn’t been created in an effort to influence humans? Even seemingly dull and annoying “on-hold” music was likely created and chosen in an effort to keep individuals waiting on the phone in an at least a somewhat pleasant state. One can even argue that “music” produced by birds and other animals was designed by God to help humans enjoy his creation.

With this universal “soul-moving” property of music in mind we can begin to think about how music has, is, and will continue to be used as a form of propaganda. After all, propaganda is essentially content distributed with a purpose of influencing individuals towards some idea or ideology. So then, why does Varineau believe that music is only abused when it is used as a part of propaganda? Isn’t all music suggesting and trying to influence individuals toward some idea or ideology? I think what Varineau may have not articulated clearly enough is that music falls into the realm of propaganda when it forcibly pushes its listeners to a specific idea or ideology. I think music in its purest form is something that is very open to interpretation. That isn’t to say that music shouldn’t have a message; however, it’s meaning should be something that listeners are allowed to come to on their own terms, not shoehorned into. Listeners should be free to critically and freely examine what they hear and come to a conclusion they find to be best (perhaps best in regards to a hybrid between rationality and creativity). Music when used correctly should foster creativity in its listeners, inviting them to join in a song/work’s movement.

With this in mind, Varineau’s idea of the misuse of music becomes to come into clearer focus. Misuse is just a less restrictive form of abuse. When we are given music in a controlled setting our minds often become limited by what they’re observing. Creativity is diminished and avenues that are available in an open environment begin to close, forcing us down just a few particular paths. Not just one path like propaganda’s abuse, but a number that has been reduced in comparison to the music’s original starting point. This isn’t to say though that all uses of music in movies, television shows, video games, etc. are all necessarily cases of negative misuse. Such environments can be beneficiary when they are thoughtfully and tastefully applied and used. Sometimes a completely open environment is too hard for us to work from. We may need a nudge in some direction and certain closed environments can offer an appropriate nudge that gives us an idea of purpose and direction without shoving us. Really then, the misuse of music becomes something of a grey area, up to personal interpretation as to whether or not such use is a positive or negative factor.

With these clarifications in mind I believe that we can begin to have a better understanding and grasp on how music should be created, cultivated and consumed. Music and art in general are most often at their best when they afford their audience a chance to explore and build upon the ideas and feelings that a work has exhibited. Through this practice we can all mutually participate in being human – creatively and rationally exploring and building thoughts and ideas.